Itu Ninu

The Bolex D16 is a remarkable digital cinema camera that pays homage to the iconic Bolex H16. Itu Ninu was brought to life using this very camera, paired with vintage Kern Paillard lenses, adding a timeless charm to the film.

Digital Bolex was born out of a successful Kickstarter campaign in 2013 out of a collaborative effort between camera manufacturers. It has a Kodak-designed Super 16mm size CCD sensor, capable of shooting 2K RAW footage, the camera was positioned as an affordable yet powerful digital cinema tool. Its C-mount, combined with the Super 16mm sensor, opened up a world of possibilities, inviting filmmakers to embrace the allure of vintage 16mm lenses, like the Kern Paillards, Schneider, and Kreuznach lenses.

Designed to stand the test of time, the Bolex D16 focused on essential features, aiming to remain relevant and future-proof. Unlike the race for higher resolution, the camera focused on recording RAW images while its sensor delivered exceptional colour quality and smooth motion cadence.

The environmental consciousness of the design also deserves attention. Crafted from existing “off-the-shelf” components, Digital Bolex not only ensured cost-effectiveness but also promoted the recycling of electronic parts. By planning for a long-life cycle, the camera defied the planned obsolescence often associated with electronics. This approach breathed new life into vintage 16mm lenses, giving them renewed purpose and relevance.

While the camera is no longer in production due to a lack of new investors, its devoted user base keeps its legacy alive. Second-hand sales on platforms like eBay allow enthusiasts to still get their hands on this cinematic tool. Thanks to the continued support and expertise of former CEO Joseph Rubinstein, the community thrives with a dedicated FB Digital Bolex User group, providing advice and repair services.

Other notable films shot on the D16 include among others the Colombian feature La Defensa del dragon (Natalia Santa 2017) which premiered at the Director’s Fortnight in Cannes. Cinematographers for this film were Iván Herrera and Nicolas Ordoñez.

The Indian feature drama Nasir (Arun Karthick 2020) was shot by Saumyananda Sahi and screened among others at the Rotterdam International Film Festival and won the India Fipresci Award.

These films beautifully showcase the camera’s potential for creative storytelling. In conclusion, the Bolex D16 is a treasure trove for filmmakers seeking to infuse their work with vintage charm and a sustainable approach.